








The green street sign on the lampost in the middle of this photo says simply “People With Aids”.
The green street sign on the lampost in the middle of this photo says simply “People With Aids”.
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No, that’s not me…but my name is on that trophy!! |
There were a lot more things I could have said in the speech — how much I owe to the then Voyager Australia editor, Stephanie Smith, for example. How much I owe my beta readers for making me a better writer and making those three books better works. How much I appreciate the work put into the awards by the Australian Spec Fic community and the judges.
But here’s what I did say:
When I first read Sara Douglass’s Battleaxe back in the 1990s, I was blown away, not just by the story, but also by the idea that an Australian author could publish a fantasy novel worldwide and find acclaim on a world stage.
At the time I was looking for a publisher for my first book — and Sara’s success was an inspiration. And of course, Battleaxe was just the first of long line of Sara’s groundbreaking novels.
I was delighted to hear that a series award was being created in her name, to acknowledge her pre-eminent position in Australian speculative fiction history. The fact that judges had a massive job of reading the number of series up for the award is a tribute to the present health of Speculative Fiction writing in Australia, a wave of creativity of which Sara was the forefront.
To have been short-listed by the judges for the inaugural award was a breath-taking compliment. The other works on that list are so impressive that I certainly don’t believe, as I write these words, that any work of mine could win. I just love the validation of being on the shortlist though, and I thank everyone involved.
Most of all, I wish you were here, Sara, still with us and still writing.
Every author waits with trepidation for the very first review of a book about to be published. And I am happy to say, that the first for THE FALL OF THE DAGGER is very positive!
THE ROMANTIC TIMES HAS THIS TO SAY:
Larke seamlessly blends various storylines together to create a satisfying end to The Forsaken Lands trilogy. Her world building shines, as always…
This is a series for any reader who loves lush worlds, complex plots and characters to root for...
YAY!
I must say that there is nothing so stunning and awe-making than the Manhattan skyline from a distance, especially at night. One of the most memorable views I ever had was from a plane, just after sunset, with the island lit up against the glow in the sky…
However, if you ask me about Manhattan, I could also say that viewed from other angles, it is an incredibly ugly and noisy blot on the landscape. Ugly architecture, dirty pavements, potholed roads and dilapidated walls, bits and pieces of the city always being dug up/repaired/refurbished/rebuilt… Or I could say that it has one of the most beautiful urban parks in the world. Or that there are little corners of delicate beauty or flamboyant artistry. It throbs and hums and thrums, never still, never quiet. I would hate to live there. And yet I love to visit.
Here’s a building that — I assume — was one day subject to new laws that necessitated fire escapes to be built and there was nowhere to build them except across the facade. So someone then decreed that they would make sure those ladders and landings were as beautiful as they could make them…
Look at the lovely wrought-iron scroll work below.
A playground, cemented and hemmed in by iron fences — and overlooked by Charlie Brown.
A Mamak coffee shop. Back in Malaysia, we just loved to have breakfast at one such. (Mamak means Malaysian Indian Muslim and their food and beverages have a distinctive cultural mix of tastes).
It was a real surprise to see one such here, using that word!
One of the many murals that decorate the city, this one by Nickolai Khan, painted on a roll-up security door.
This is a Muslim Centre — with a minaret! (Can’t help thinking that it looks more like a lighthouse)
And below, for those who’d like a free-standing home of their own in Manhattan instead of a highrise apartment: how about buying a place like this one? A totally delightful and ridiculous rip-off a Loire castle, built in the 1890s as a firehouse…
ALL PHOTOS TAKEN BY DR. SELINA NORAMLY
These photos were taken from 40,000′ over Labrador, Canada.
The first sight of that snow-covered, desolate land (seen through the plane window) was ice-fringed, the floes floating through a brittle skin of transparent ice …(above)
Then (below) the land itself — snow-clad outlier islands caught in a plain of ice, apparently abandoned by mankind to a cold, lonely wilderness — still wearing, though, the scoring of an ancient icy past in the form of deep scratches.
Then the first sign of mankind: a straight line, much wider that any ordinary road, blugeoned somehow through the wilderness to make a snow-filled line of epic proportions (remember, this was taken from 40,000′ up). Whatever ploughed this furrow mostly ignored the contours of the land as if oblivious to them.
Framing this gigantic ditch: scratch marks from the ancient fingernails of ice sheets and glaciers.
Finally, below, a slightly warmer sight: a flowing river not far north of the St Lawrence River.
And so on, to New York.
Little Pied Cormorant (left) drying its wings. There’s also a Darter in this pix if you look closely.
You an see the original article by Ben Anderson here, from the West Australian newspaper, about all the West Australians who were shortlisted for the awards.
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THE STORMLORD series (aka THE WATERGIVERS)
is on the Sara Douglass Award shortlist.
This is the inaugural award, in honour of one of Australia’s great fantasy writers, who made it huge on the international stage, and died far too young. It is really an honour to be one of the first writers to be considered for the award, and — win or not — I am truly humbled.
is on the Aurealis shortlist for the Best Fantasy Novel (as well as on the Ditmar shortlist, as I mentioned on Monday). The difference between these two lists? The Ditmar is a reader voted award, and the Aurealis is a judged award.
This is my ninth shortlisting for the Aurealis for the Best Novel — without ever winning — which I suspect is some kind of record!
In short, this has been a terrific week for me. Will I win anything at all? I doubt it, as the books I’m up against are truly a wonderful selection by the best of Australia’s many talented writers (and in fact, there were many others who missed out, who could so easily have been chosen). It doesn’t matter. To know that judges and readers have loved my work enough to put them on a shortlist is the best compliment I could have.
I would love to be there, to applaud the winners. Unhappily, a very important family commitment/celebration means that I will be unable to attend the awards ceremony, and I really do regret that the two occasions clash.
THE DITMAR are reader voted awards, open to Australian authors/artists and voted upon by the Australia National Science Fiction Convention attendees.
Last year’s award for Best Novel was the plaque (see pix to the right), which was awarded to
This year, Book 2 is up —
and it has been voted on to the short list of five books. The other four are:
My guess for a winner? I reckon it will be Trent’s year this year, but we will see.
If you are attending the National Convention, or attended last year, be sure to vote.
And don’t forget:
Book 3 will be long in just 8 weeks…
*it tied with with Trudi Canavan’s novel “Thief’s Magic.”