I must say that there is nothing so stunning and awe-making than the Manhattan skyline from a distance, especially at night. One of the most memorable views I ever had was from a plane, just after sunset, with the island lit up against the glow in the sky…
However, if you ask me about Manhattan, I could also say that viewed from other angles, it is an incredibly ugly and noisy blot on the landscape. Ugly architecture, dirty pavements, potholed roads and dilapidated walls, bits and pieces of the city always being dug up/repaired/refurbished/rebuilt… Or I could say that it has one of the most beautiful urban parks in the world. Or that there are little corners of delicate beauty or flamboyant artistry. It throbs and hums and thrums, never still, never quiet. I would hate to live there. And yet I love to visit.
Here’s a building that — I assume — was one day subject to new laws that necessitated fire escapes to be built and there was nowhere to build them except across the facade. So someone then decreed that they would make sure those ladders and landings were as beautiful as they could make them…
Look at the lovely wrought-iron scroll work below.
A playground, cemented and hemmed in by iron fences — and overlooked by Charlie Brown.
A Mamak coffee shop. Back in Malaysia, we just loved to have breakfast at one such. (Mamak means Malaysian Indian Muslim and their food and beverages have a distinctive cultural mix of tastes).
It was a real surprise to see one such here, using that word!
One of the many murals that decorate the city, this one by Nickolai Khan, painted on a roll-up security door.
This is a Muslim Centre — with a minaret! (Can’t help thinking that it looks more like a lighthouse)
And below, for those who’d like a free-standing home of their own in Manhattan instead of a highrise apartment: how about buying a place like this one? A totally delightful and ridiculous rip-off a Loire castle, built in the 1890s as a firehouse…
ALL PHOTOS TAKEN BY DR. SELINA NORAMLY
These photos were taken from 40,000′ over Labrador, Canada.
The first sight of that snow-covered, desolate land (seen through the plane window) was ice-fringed, the floes floating through a brittle skin of transparent ice …(above)
Then (below) the land itself — snow-clad outlier islands caught in a plain of ice, apparently abandoned by mankind to a cold, lonely wilderness — still wearing, though, the scoring of an ancient icy past in the form of deep scratches.
Then the first sign of mankind: a straight line, much wider that any ordinary road, blugeoned somehow through the wilderness to make a snow-filled line of epic proportions (remember, this was taken from 40,000′ up). Whatever ploughed this furrow mostly ignored the contours of the land as if oblivious to them.
Framing this gigantic ditch: scratch marks from the ancient fingernails of ice sheets and glaciers.
Finally, below, a slightly warmer sight: a flowing river not far north of the St Lawrence River.
And so on, to New York.
The quenda (Isoodon obesulus fusciventer) is a subspecies of southern brown bandicoot that is only found in southwest Western Australia. Remarkably, quendas can still be found in remnant bushland across suburban Perth. See more here.
Little Pied Cormorant (left) drying its wings. There’s also a Darter in this pix if you look closely.
You an see the original article by Ben Anderson here, from the West Australian newspaper, about all the West Australians who were shortlisted for the awards.
THE STORMLORD series (aka THE WATERGIVERS)
is on the Sara Douglass Award shortlist.
This is the inaugural award, in honour of one of Australia’s great fantasy writers, who made it huge on the international stage, and died far too young. It is really an honour to be one of the first writers to be considered for the award, and — win or not — I am truly humbled.
is on the Aurealis shortlist for the Best Fantasy Novel (as well as on the Ditmar shortlist, as I mentioned on Monday). The difference between these two lists? The Ditmar is a reader voted award, and the Aurealis is a judged award.
This is my ninth shortlisting for the Aurealis for the Best Novel — without ever winning — which I suspect is some kind of record!
In short, this has been a terrific week for me. Will I win anything at all? I doubt it, as the books I’m up against are truly a wonderful selection by the best of Australia’s many talented writers (and in fact, there were many others who missed out, who could so easily have been chosen). It doesn’t matter. To know that judges and readers have loved my work enough to put them on a shortlist is the best compliment I could have.
I would love to be there, to applaud the winners. Unhappily, a very important family commitment/celebration means that I will be unable to attend the awards ceremony, and I really do regret that the two occasions clash.
THE DITMAR are reader voted awards, open to Australian authors/artists and voted upon by the Australia National Science Fiction Convention attendees.
Last year’s award for Best Novel was the plaque (see pix to the right), which was awarded to
This year, Book 2 is up —
and it has been voted on to the short list of five books. The other four are:
- Day Boy, Trent Jamieson
- Graced, Amanda Pillar
- Lament for the Afterlife, Lisa L. Hannett
- Zeroes, Scott Westerfeld, Margo Lanagan, and Deborah Biancotti
My guess for a winner? I reckon it will be Trent’s year this year, but we will see.
If you are attending the National Convention, or attended last year, be sure to vote.
And don’t forget:
Book 3 will be long in just 8 weeks…
*it tied with with Trudi Canavan’s novel “Thief’s Magic.”
Since the moon shattered, the once peaceful and plentiful world has become a desolate wasteland. Factions fight for ownership of the remaining resources as pieces of the broken moon rain down, bringing chaos, destruction and death.
The most precious of these resources is dragon wine – a life-giving drink made from the essence of dragons. But the making of the wine is perilous, undertaken by prisoners. Perhaps even more dangerous than the wine production is the Inspector, the sadistic ruler of the prison vineyard who plans to use the precious drink to rule the world.
There are only two people standing in his way. Brill, a young royal rebel who seeks to bring about revolution, and Salinda, the prison’s best vintner and possessor of a powerful and ancient gift that she is only beginning to understand. To stop the Inspector, Salinda must learn to harness her power so that she and Brill can escape, and stop the dragon wine from falling into the wrong hands.
Dragon Wine Book 2 : Skywatcher, the follow on book, is also available in ebook and print.
AN INTERVIEW WITH DONNA:
DONNA: You are right. If I go back to my formative years I would never imagined being where I am now or even my journey. I had no ambition. No concept of the future except that I should be happy, that things should go right for me because I had a pretty crappy beginning. Somewhere along the line I realised it wasn’t going to come to me — this happiness that I desired — so I had to make it for myself. I was probably about seventeen years old, when I was unhappy about being considered stupid. I’d left school at 15, before finishing year 10. But I was very soon trying to get my school certificate by correspondence. I did end up doing that, and then going on from there. I did a degree in Economics at Sydney University while I was a single parent with three children.
I was an auditor in the Commonwealth Government, for many years. I also had a stint in the private sector. I got to about age 40 and was heading back to do more internal audit work and I thought to myself: “Is this what I want to do?”
GLENDA: You have written books across multiple genres — including non-fiction! Who is your target audience for Shatterwing?
DONNA: Shatterwing is for lovers of fantasy, dark fantasy. Shatterwing is for people who like grit under their nails. Also, Shatterwing as a strong SF setting too, so it’s for people who envision other worlds, alien worlds and their impossibilities. The story is also about survival, what it takes to survive and, ultimately, what is it about humans that makes us worth saving. It’s not always as pretty story, but it is one that I’m keen to explore. And then there are the dragons!
GLENDA: Shatterwing has a fascinating world with a fabulous take on dragons — yours are unique, which is quite an achievement considering how many fantasy writers have portrayed them over the years. Tolkien, Anne McCaffrey and Naomi Novak to mention a few. Where did the inspiration come from that makes your dragons so different and memorable?
DONNA: Thank you Glenda. Well if you must know I didn’t read any of those. I did read Tolkien, but not The Hobbit (am currently reading it) so I approached portraying them in my own way. I wanted them to be different, from their origins to how they exist in the world. I can’t say that I have never been exposed to dragon stories because I watch film, such as Reign of Terror (not such a great movie), but it was dragon filled, and there are others. I virtually grew up on Godzilla movies! I did research a little about dragons and I guess what struck me was how enmeshed these creatures were across a number of cultures that you could almost consider they existed in the past, in human memory.
Shatterwing is set on Margra, so not Earth, but there are humans living there. There were these creatures I called dragons. I did consider changing the name of them to something else, but in every way they were dragons so it seemed stupid to call them something else, so I left well enough alone.
GLENDA: You are also writing in the romance genre. What is the biggest challenge about romantic fiction, compared to fantasy?
DONNA: Ah there are definitely challenges! For me it is the emotional story of the main characters. In romance the evolution of emotions, from hate or indifference to love, for example, is the plot. The circumstances that cause the characters to attract, repel and attract again are just the means to get the emotional changes in the character. It’s central, if you know what I mean. It is something I struggle with in writing romance.
GLENDA: You have done so much for the science fiction and fantasy scene in Australia. In fact, you were the person who took the trouble to make sure I became part of it, even though we’d only met online at the time — and a wonderful ride it has been. (Thanks so much!) What would you say to readers (not just those in Australia) who know nothing about the fan scene out there? How did you get involved and has it been worthwhile?
DONNA: Thanks again Glenda. Yes, the fan scene has been a remarkable experience for me. Coming from the outside as a reader I didn’t even know fandom existed. It wasn’t until I became a writer, joined a writer’s group (Canberra Speculative Fiction Guild) that I became exposed to conventions!
GLENDA: What are your working on now?
GLENDA: Many thanks for giving us these insights, Donna!
left out Malaysia, Orkney and most of Scotland! Now Glenda were you
thinking of going to the world con in Finland in 2017? Because I am. I
am hoping to meet you beforehand. I think you would really like Sardinia
GLENDA: Thank you, Donna!