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Via Cheryl’s Mewsings, I found this from Guy Gavriel Kay, one of my favourite writers: Are novelists entitled to use real-life characters?

He makes the distinction between peopling fiction with real people as background, and using them as point of view characters, in other words, purporting to know what they think and feel – their internal lives. He is not happy with that, saying that a line has been crossed, into a “dramatically expanded perception of entitlement, and of eroded privacy”, even if the person is long since dead.

A.S. Byatt says writers who combine biography and fiction, are indulging in an “appropriation of others’ lives and privacy”.

I have to agree. I would in fact go one step further: I don’t like the tendency of the movie industry to make films that deliberately distort real people, alive or dead, for their own purposes. Note that I realise the medium does call for a lot of adjustment to the truth e.g. taking liberties with the time involved, or shifting the place of an incident somewhere else for aesthetic reasons or time constraints and I have no problem with that, so my operative word would be “distort”. I hate it when film makers deliberately distort what we suspect is the truth, for the purposes of a good film. When they put words in A’s mouth, which evidence indicates he would have been horrified to utter, or make B promiscuous when evidence suggests she patently was not.

What do you think? Do we have the right to mess with real people, alive or dead, in our literary or cinematographic work, getting inside their heads or perverting what we know about their lives, just in order to make a good piece of fiction?

Kay’s solution is to write fantasy!
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Equality at work?

I have taken this post down.
Apparently I have more faith in the good sense of authority than others do.

However, I have to say that there is nothing I despise more than not just holding women to higher standards, then punishing them for victimless transgressions, when men seem to get away with light sentences for crimes that devastate victims, often the very people they ought to be protecting. Can anyone tell me why there is a double standard?

Grrrr

The internet has been driving me crazy for more than 24 hrs.
“Cannot find the server” at least 50% of the time.
I post comments on blogs and they disappear without a trace as soon as I press “post”.
Try to put up photos on blogspot and it says I have been successful – but no photo appears.

And I am still wondering just why, when I pay for a pay for a connection speed of 100.0 Mbps here in Malaysia, everything is twice as slow than the 58 Mbps I was using in Virginia…

Mood: disgruntled.

Solution: go do some work instead….

Professor Emeritus Noramly

Here he is, looking very colourful and rather magnificent.

The three men of the family: Noramly, his younger brother and their very proud uncle, in loco parentis, who is 85 today.

Above:With brother & wife, two sisters, two nieces

After the ceremony, with another niece who just graduated from a different university, and an aunt.

Another Fabulous Review…:-)))


Yep, I am happy…

The pressure is beginning to ease. A second reviewer likes the book!

The review is from AurealisXpress, which I assume means it is in the Aurealis Magazine for August, and it is written by Chrisetta MacLeod.

“I am in awe of the sheer virtuosity with which Larke has created her world. Water, or rather the scarcity of water, is the basis of government, economy, social hierarchy and even religion. The Stormlord ability, which can pull water from the sea, and send it where needed, is a hereditary gift. There is a conspiracy to kill off those with degrees of this ability, to return to human warfare and the vagaries of climate.”

The middle of the review gives a synopsis of the story, and the review ends like this:

“What a tale! Can’t wait for the next instalment. This is a GREAT book. I was so sad when I finished it; luckily it’s going to be a trilogy. AND, she’s Australian.
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What makes a fantasy cover…

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As an addendum to the post on my Australian and UK covers:

Over on the Orbit US blog from Tim Holman, they have a graph of the items that have been on 2008 US fantasy book covers, graded according to popularity. Here they are below, in no particular order. See if you can guess what two things topped the list (by far!).

They included urban fantasy but not those books that were more urban paranormal romance than fantasy.

The list: Unicorns, swords, castles and citadels, horses, damsels in distress, staffs, glowy magic, guns, bows and arrows, completely dark cover of meaninglessness, tattoos, dragons, boats, elves/fae, stilettos, maps, elves-dwarves-goblins-orcs, wolves.

As several have pointed out, they neglected to add in cleavage and pecs, alas.

So what’s your guess? Now pop over to The Publisher Files and see if you are correct.

And just for fun, here is my German cover of Havenstar.
Wolf, tick
Castle, tick
Staff, tick
Horses, tick
Dragon, tick
Damsel in distress, half a tick. She does look worried.
Sword, tick
Castle, tick
Glowy magic, hmm, well there is a rainbow.
No bows and arrows, but plenty of armour. The odd thing is that armour did not feature in the story, but bows and arrows were quite important!

Anyway, it’s a cover that has as its motto: why confine yourself to one item when you can have a lot?

Actually, I have a sneaking love of this cover, I will admit. It would make me pick up the book in a bookshop!

Noramlyed, un-Noramlyed and then…guess.

My flight was Charlottesville to Dulles Airport (Washington DC), then Newark (NY – well New Jersey actually), then Stockholm and home.

The first flight was fine. Arrived in Dulles early. Found gate, plugged in and did some writing. Then comes announcement: delay because of weather over Newark. Doubt over what time would be taking off. Start worrying. Departure time keeps on changing. I have a three and a half hour layover in Newark, and it starts being eaten up… I know that when I get to Newark, I have to change terminals, get a boarding pass for my Malaysian Airlines flight and pass through security. No joke.

At 6.30 (when I should have been landing in Newark), there’s an announcement – change in Gate number. Get over there quick, and the plane will leave as soon as you do. So we all rush off. When we get there, someone tells us the plane is not there yet. Then a pilot comes rushing past, glances at the gate info and does a double take. ‘Whoa,” he says, “that’s my flight. How come it’s here?” He was on his way to the gate we had just left.

Right. Anyway, he gets that sorted out, and yes, we are supposed to be leaving from this gate. We also hear that yes, there had been bad weather in Newark, but the plane had been taken for some kind of repair anyway…

We hang around for a bit longer. Finally plane arrives and we get to board. Then we don’t move. Seems there’s something wrong with the onboard computer. “Not to worry,” says captain, “happens all the time. We have to get the technician to come and reboot the cockpit.”

Oops. We passengers start laughing. Nothing else to do. It is now way after 7.30.

Technician arrives, fiddles around, lights go on on the cockpit console (hey this is a small plane, ok?). Technician gets off, we start taxiing, wondering all the time what can go wrong next.

After a strangely long time wandering all over Dulles airport taxi runways, we finally stop. “Sorry,” says pilot. “We were directed to another runway. Now we have to wait.” (I assume because we had lost our slot in the take off line.) We sit, and sit and sit.

Plane finally gets into the air at 8.15. We almost applaud. Great anvil black clouds on our left as we fly on into Newark. Land at 8.55. Off plane and in terminal at 9.05. No signs telling me how to get to the terminal I need. Ask questions.

Start running. Finally find airtrain to right terminal. Then rush to check-in counters. MAS counter not there. It’s 2 floors down on the arrivals floor. Rush down. Counters still open. Wow. Thanks MAS. Have to wait for another person to be attended to – same problem, her flight also delayed because of weather. (Find out later that she lives just a few streets away from me in Malaysia, in the neighbouring sub-division.) I am dishevelled, perspiring, panting.

Girl behind counter deals with me, records my luggage details (it had been booked, in Charlottesville, straight through to K.L.), hands me the boarding pass. Offhandedly she says, “We have upgraded you to business.”

I almost jump over the counter to hug her. But no time. Rush off to find gate. Have to pass through security. Take shoes off. Take out plastic bag of liquids. Take out computer. Put it all back again. Find gate.

And I am finally on the plane, sinking into the lap of luxury, fabulous service, good food, excellent wine, personal entertainment, a chair that becomes a bed. Meals are a dream. The cutlery is metal, not plastic that wouldn’t cut icecream. And it tastes delicious. The coffee tastes like coffee should. There is even a buttonhole embroidered into the spotless white napkin, for gossake. Oh, wow, if only plane travel was all like this. MAS business class: I love you. Just tell me what I have to do to get upgraded again.

I am in Kuala Lumpur, on time, well-fed and rested.

Was that the end of the story? Of course not. I am a member of the Noramly family, don’t forget.

My luggage is still in New Jersey.

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Going home

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I leave the house in Charlottesville tomorrow. Four flights, three planes, two days (actually 31 hours in real time) later, I shall arrive at home in Kuala Lumpur. Do not expect sweetness and light along the way…see you on the other side of purgatory.

UK Cover of The Last Stormlord

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I note that the cover of the UK Orbit edition is up on Amazon.co.uk now, with a publication date of March 4th. And the price is discounted at the moment, so it’s a good time to order.

Here’s the Australian Harper Voyager cover for comparison:
Which do I like better?
Can’t say. They both say very different things about the book. The UK cover (artist: Larry Rostant) emphasizes the darker, more desperate side of the story; the Australian (artist:
Vincent Chong) puts the emphasis on the brutal nature of a land that has insufficient water, and on the magic that may – or may not – be its saving. They both say true things about the story.

I do know this: I am the luckiest author around to have not one, but two such talented cover artists and two dedicated design teams from two different publishers to work on the same novel.
And thanks Karen, for the great quote!!