Raptor Watch over…

I have completed my stint at the lighthouse – two weeks overlooking the Straits of Malacca. (The watch goes on, but I do have to work. Like, um, write. You know, books.)

So it’s back to Book Two of the Stormlord sequence, now tentatively titled “Stormlord Rising”, but who knows…

Huge stuff is also going on in my private life too, which will impact what I do in the next few months. More of that when I have a better idea of what is happening.

In the meantime: Here’s a game of spot the monkey. Or maybe “Ignorance about the dangers of electricity is bliss”.
This fellow above, the alpha male of the troops of Dusky Langurs, was actually hiding in wait for another young male that was trailing the troop… here’s the unsuspecting teenager below.And here are a couple (same species) in an untouched photo which somehow seems to make this generally gentle vegetarian appear distinctly evil…

A look at an author’s world…

This from Thomas Christensen’s Tom’s Glossary of Book Publishing Terms, via Elizabeth Moon. This is just a taste from this delicious website. See more here.
Some of this is so true, it hurts!

ADVANCE: A secret code signalling to the marketing department whether or not to promote a title.

AUTHOR: A large class of individuals (approximately three times as numerous as readers) serving a promotional function in book marketing or providing make-work for editorial interns.

BEST SELLER: A book purchased for display.

BLURB*: A brief noise that embarrasses everyone.

BOOK DISTRIBUTION: An elaborate system testing the commitment of readers by making sure they cannot obtain specific books too easily.

DEADLINE: An item that exists to be renegotiated and revised. In his famous paradox, the Greek philosopher Zeno proved that deadlines can never be met.

DISTRIBUTOR: An annoying apparatus that is always out of tune, causing sluggish performance.

DUST JACKET: An ephemeral object without which a first edition becomes worthless to collectors.

FANTASY: An author’s sales aspirations.

LEAD: A heavy metal that thuds when dropped. Used in the expression “Our lead title this season is luminous and compelling.”

LITERATURE: Designation applied to titles judged unsaleable.

MAINSTREAM FICTION: The pretense that there is a group of readers who can be reached through writing that is sufficiently unspecific as to exclude no one.

PUBLICATION DATE (PUB DATE): A sliding holiday based on the phases of the moon.

TRADE PAPERBACKS: What readers do instead of purchasing new books.

*usually used to describe the description of the book on the back cover or dust jacket

One reason why a writer has beta readers

I have written elsewhere about a reader bringing baggage along with them every time they sit down with a book.

But a writer also has baggage. I have a lot of it. I have lived in four different continents and in four very different cultures. I started life on a mixed farm where we drank untreated rainwater and my mother boiled up clothes in a copper over a wood fire and my father buried the waster from the pan lavatory – which was a route march away from the house and had no light at night.

The accumulation of knowledge I have accidentally collected as I have gone through my life up to now is vast. I know what it is like to walk a swing bridge built by rainforest people or grind rice flour or churn butter or struggle to make yourself understood in a language not your own or sit on the floor because your host has no chairs…

The problem with all this knowledge is that sometimes I assume that other people know what I am talking about. And many times they don’t because their experience is different, especially if they are half my age. And when they read something in my work that doesn’t ring true to them, they roll their eyes. And as a fantasy writer, one of the worst things you can do is jerk a reader out of their belief in your world.

That’s fair enough. More problematical is when you, the writer, are correct, but everyone assumes you are wrong. The effect is the same – the readers are still jerked out of their belief in you world. And that’s bad. I have struck this with some of my beta readers in the latest book.

For example, part of the book deals with a semi-nomadic people who live in tented camps. I know what it is like to live in a remote camp with other people. I’ve done it. A number of times, both in the rainforest and in the desert. I’ve gone on expeditions with up to a couple of hundred diverse people, living away from the nearest town or shop. I’ve had experience with the way in which people structure their society – however temporary – in such an environment. So when I describe my tribal people with their slave culture and their tents, I have an idea of how it could work on a daily basis.

And when a couple of my beta readers came across stuff I mentioned in passing, they said, “Hey, hang on a moment. This wouldn’t work the way you wrote it.” I disagree. I feel I am right.

So do I just ignore their comments? Do I just shrug my shoulders and say, I’m right, they’re wrong?

No. I rewrite, because I have to describe my world in such a way that the reader believes in it – so they can see why it will indeed work the way I describe it. I am at fault – not in the material, but in the way I have presented it.

Beta readers are make me see my work through other eyes.

What happens when you don’t keep an eye on your lunch at the lighthouse:

Still counting raptors

800 Oriental Honey Buzzards, one Japanese Sparrowhawk, an Osprey, one Chinese Goshawk and 200 Black Bazas, 70 Bee-eaters (ok, that last are not raptors). And one Black-shouldered Kite going the wrong way. Apparently he didn’t like Malaysia.

And here’s the beach where we stay; at sunset:

Below: the lighthouse is on that promontory.


Reuters and me

The Tanjung Tuan Raptor Watch, started by two friends of mine who had a dream, had its tenth anniversary this year. I have missed a couple – when I was in Sabah or overseas – but otherwise I am there every year.

And every year that I am, I get interviewed by Reuters.

I have no idea what happens to these interviews because I never see them turn up on TV, and have never had anyone say that they saw one. I suspect that they go into a comedy file labelled: “The Bird Lady flitters again!” or maybe “Year by Year Documentation of the Increasing Decreptitude of the Scrawny-necked Vulture”, or something equally unflattering.

You see, I usually spend much of my time standing in the sun showing school kids birds through a telescope, or counting raptors, or some equally unglamorous thing. I drip with sweat in tropical heat, I am without make up, I have a hat jammed on my head – and to wear the usually unflattering raptor watch Malaysian Nature Society T-shirt is de rigeur. Reality TV this might be, but honestly, watching skinny would-be models viciously vying for the opportunity to come back next week is loads more fun.

I rant a bit about conservation and birds and probably say exactly the same thing year after year. Do tell me if you ever see one of these clips.

On self-censorship, etc…

Over at SFSignal there is a Mind Meld in which I took part. If you are interested in this question thrown out to writers: “Once upon a time, sf/f was full of taboos: no swearing, no sex, etc. We’re thankfully past those days, but are there any taboos still remaining or new ones that have sprung up? Have you ever had trouble with publishing something, or caught yourself self-censoring?” then take a look.

Authors taking part include Neil Asher, Anna Tambour, Margo Lanagan, Peter Watts, Steve Aylett, Kristin Kathryn Rusch, Ellen Kuschner, etc.

Food for thought

From my personal experience (and I really can only speak from that perspective), I truly believe that for literary fiction, it’s much easier to sell boy writers than gals. I know. Who can possibly make such a general statement but I have to say that I’ve encountered several worthy manuscripts that I’m rather convinced that if the writer had been male, the novel would have sold.”

–from Pub Rants by Kristin Nelson, Denver literary agent

My advice to female writers: use a male pseudonym or an androgynous name unless you write romance. If I was starting now, that’s what I would do. Unfortunately, it never ever occurred to me that readers would select a book based on the gender of the writer.