When I write, I often do have a point to make.
But the point about having a point is that it should never become too pointed…
In other words, the story’s the thing, and if a fiction writer starts preaching, everyone loses interest – even those who agree with the point..
One of the points Ursula LeGuin made in her Earthsea trilogy (now the Earthsea quartet), with a quiet subtlety, was that heroes didn’t have to be white. Ged, the protagonist, is brown-skinned. The curious thing is that as a (white) reader, I hardly noticed and didn’t care. But LeGuin feels that it did indeed make a difference to non-white readers – here at last was someone they could identify with.
I believe I read somewhere that one of LeGuin’s beefs about the mini series (haven’t seen it myself) was that it ignored this. Even more odd is the fact that her original publishing house refused for many years to put a brown-skinned protagonist on the covers.
As I mentioned in a blog a day or two ago, several of my main characters in several of my books are brown-skinned. Was I making a point? Of course. [But never at the expense of the story, I hope.]
Look at my gorgeous daughters if you want a very personal reason.
My Oz covers haven’t put people on the covers, except as distant figures, which seems to be an inhouse style common in Australia. Certainly, it would never have crossed their minds to do what LeGuin’s Earthsea publishers did 40 years ago.
I have found, btw, that my Oz publishers (HarperCollins Voyager) are happy to discuss covers with me, and to make changes at my suggestion. Bless ‘em. Not all publishers do that. My Russian and US and German publishers presented me with a fait accompli – here’s your cover, you better like it because it’s gone to the printers!
So did the US covers. Well, sort-of…
The only comment I ever had from a reader about Blaze’s skin colour was from a US reader, something along the lines that they seemed to have made her more Mediterranean in looks than South Sea Island. They understated the colour, or so that reader felt. I wonder if that was deliberate? A sort of colour-androgynization in order to make her more universal – for marketing purposes? I personally think it a nice sign of the times that it has aroused so little comment – maybe we have learned a lot since LeGuin published her first Earthsea book (1968).
However, the real idea I was trying to put across was this: that Blaze’s skin colour was only an issue in the Isles of Glory because of what it (in combination with her green eyes) implied about her. Making another point? Of course.
And how many of us are guilty of this type of extrapolation? Eh? Eh? Come on, admit it! See that guy wearing robes and and a turban walking down a Sydney street looking like a terrorist – can he possibly be an upright Australian citizen who loves his country and know as much about cricket as you do? Or what about that middle-aged white woman driving through Kuala Lumpur – she can’t possibly be a Malaysian who cares deeply for her nation, and loves to listen to classical Malay songs on her car radio, can she?
Blaze loses out because of her appearance, yet in the end, she is crucial to making the Isles of Glory a better place. So my story was making this point: outward appearances mean nothing, and we are ridiculous to penalise/judge/dislike/generalize/jump to conclusions on that basis. In the Isles of Glory, they had even incorporated the concept of outward appearance and race into the legal framework and the basis for citizenship.
We would never do anything as silly as that in today’s world, um, would we…..?