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	<title>Worldcon 2014 &#8211; </title>
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		<title>Loncon 3: The Worldcon in London</title>
		<link>https://glendalarke.com/2014/07/loncon-3-worldcon-in-london/</link>
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		<dc:creator><![CDATA[Glenda Larke]]></dc:creator>
		<pubDate>Wed, 23 Jul 2014 05:59:00 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Loncon 3]]></category>
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		<category><![CDATA[Worldcon 2014]]></category>
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					<description><![CDATA[&#160;I will be attending the upcoming World SF Convention in London in August. This will be my 4th Worldcon &#8212; the first was in Glasgow in 2005. I also went to the one in Melbourne and another in Denver. I&#8217;ve &#8230; <a class="more-link" href="https://glendalarke.com/2014/07/loncon-3-worldcon-in-london/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
										<content:encoded><![CDATA[<p><a class="a2a_button_facebook" href="https://www.addtoany.com/add_to/facebook?linkurl=https%3A%2F%2Fglendalarke.com%2F2014%2F07%2Floncon-3-worldcon-in-london%2F&amp;linkname=Loncon%203%3A%20The%20Worldcon%20in%20London" title="Facebook" rel="nofollow noopener" target="_blank"></a><a class="a2a_button_twitter" href="https://www.addtoany.com/add_to/twitter?linkurl=https%3A%2F%2Fglendalarke.com%2F2014%2F07%2Floncon-3-worldcon-in-london%2F&amp;linkname=Loncon%203%3A%20The%20Worldcon%20in%20London" title="Twitter" rel="nofollow noopener" target="_blank"></a><a class="a2a_dd addtoany_share_save addtoany_share" href="https://www.addtoany.com/share#url=https%3A%2F%2Fglendalarke.com%2F2014%2F07%2Floncon-3-worldcon-in-london%2F&#038;title=Loncon%203%3A%20The%20Worldcon%20in%20London" data-a2a-url="https://glendalarke.com/2014/07/loncon-3-worldcon-in-london/" data-a2a-title="Loncon 3: The Worldcon in London"></a></p><p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">&nbsp;I will be attending the upcoming World SF Convention in London in August. This will be my 4th Worldcon &#8212; the first was in Glasgow in 2005. I also went to the one in Melbourne and another in Denver.</span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><b><br /></b></span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">I&#8217;ve received my tentative programming, but please be aware that things may change between now and then, and attendees should always check on the day. If there are changes I know about in the meantime, I will adjust here.</span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br /></span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="color: purple;"><b><i>I have been scheduled as a panellist on the following 5 panels:</i></b></span></span></span></p>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><b>1. Recentering the World Storm:&nbsp;</b></span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><b>John Clute&#8217;s &#8220;Fantastika&#8221; and the World</b></span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br /></span></span><br />
<span style="color: #674ea7;"><i><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Thursday 16:30 &#8211; 18:00, Capital Suite 6 (ExCeL)</span></span></i></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br /></span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">In recent years John Clute has argued that fantastika is &#8220;the planetary form of story&#8221;, originating after 1750, &#8220;the point when Western Civilization begins to understand that we do not inhabit a world but a planet.&#8221; But where does this leave fantastika written in non-Western, non-Anglophone traditions? Is Clute&#8217;s formulation adequate as an understanding of Western fantastika, or is a more explicit accounting of (for example) the relationship between the colonial imagination and the fantastic imagination required? Can readers and critics from multiple traditions identify common ground for the discussion of truly &#8220;planetary&#8221; fantastika, and what would that ground look like?</span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br /></span></span><br />
<span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Geoff Ryman, John Clute, Glenda Larke, JY Yang, Gili Bar-Hillel</span></span></span></p>
<p><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>This should be a fabulous panel. <b>John Clute</b> is one of the convention&#8217;s guests, a Renaissance man if ever there was one. <b>Geoff Ryman</b> is the author of some brilliant novels, including &#8220;Air&#8221; (a favourite of mine); he&#8217;s a multiple award winner.</i></span></span></span><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i> <b>Gili Bar-Hillel</b> is a very well-known Hebrew translator, a multi-talented professor. <b>J.Y. Yang</b> lives in Singapore and writes SF; she is a Clarion survivor.</i></span></span></span></p>
<div>
<h2>
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">2. I Like My Secondary World Fantasy a Little on the Techy Side</span></span></h2>
<p><span style="color: #674ea7;"><i><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Friday 10:00 &#8211; 11:00, Capital Suite 4 (ExCeL)</span></span></i></span></p>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Some secondary world fantasies, like Brandon Sanderson&#8217;s &#8220;Alloy of<br />
Law&#8221;, Francis Knight&#8217;s &#8220;Fade to Black&#8221;, and Adrian Tchaikovsky&#8217;s<br />
&#8220;Shadows of the Apt&#8221;, have ventured into industrialisation. To what<br />
extent can the kinds of narratives common in secondary world and epic<br />
fantasies find a home in these kinds of settings? Is technological<br />
development less &#8220;believable&#8221; in a world with magic?</span></span></p>
<p><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Django Wexler, Robert Jackson Bennett, Floris M. Kleijne, Glenda Larke, Adrian Tchaikovsky</span></span></span></div>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br />
</span></span></p>
<div>
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br /></span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="color: #cc0000;"><i>I actually first read the topic as &#8220;on the tetchy side&#8221;, and envisaged a quite different slant to the discussion &#8230; Belligerent characters? Bellicose nations? No, wait:</i><u> tech-y.</u><i> Right.</i></span></span></span></div>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br />
</span></span></p>
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<h2>
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">3. SF/F Across Borders</span></span></h2>
<p><i><span style="color: #674ea7;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Sunday 16:30 &#8211; 18:00, Capital Suite 9 (ExCeL)</span></span></span></i></p>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Genre writers such as Vandana Singh, Geoff Ryman, Tricia Sullivan,<br />
and Zen Cho are already travellers to other worlds. Many authors write<br />
as resident outsiders, and want&nbsp;to write their new homes as well as<br />
their old. How does the experience of moving between countries affect<br />
the writing of fiction? How can or should writers respond to the varying<br />
 power dynamics of race, language and culture involved in such<br />
migrations? And how should readers approach the stories that result?</span></span></p>
<p><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Stephanie Saulter, Jesús Cañadas, Glenda Larke, Yen Ooi, Suzanne van Rooyen</span></span></span>
</div>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br />
</span></span></p>
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<h2>
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">4. All the Traps of Earth</span></span></h2>
<p><i><span style="color: #674ea7;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Monday 10:00 &#8211; 11:00, Capital Suite 8 (ExCeL)</span></span></span></i></p>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Thinking about the long-term existence of humanity requires us to<br />
examine the relationship between our culture(s) and the physical world<br />
we inhabit. How have SF and fantasy explored this relationship &#8212; not<br />
just in terms of technology and stewardship, but by looking at the grain<br />
 of daily life and work? What is the place of the &#8220;natural&#8221; world in SF<br />
and fantasy, and how is it linked to, or contrasted with, the human<br />
world?</span></span></p>
<p><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Sam Scheiner, Anne Charnock, Glenda Larke, Amy Thomson, Patrick Nielsen Hayden</span></span></span></div>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br />
</span></span></p>
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<h2>
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">5. Amateurs talk tactics; professionals talk logistics</span></span></h2>
<p><span style="color: #674ea7;"><i><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Monday 15:00 &#8211; 16:30, Capital Suite 5 (ExCeL)</span></span></i></span></p>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">How are wars and other conflicts won? It doesn&#8217;t matter how good your<br />
 troops and generals are if they don&#8217;t get the resources they need, so<br />
the logistics of warfare, and the economics that drive them, play a far<br />
larger role than usually appears in fiction. What is the real story from<br />
 history and how can science fiction get it right?</span></span></p>
<p><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Phil Dyson, Nigel Furlong, Glenda Larke, Juliet E McKenna</span></span></span></p>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">_____________________________</span></span></p>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">&nbsp;</span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="color: purple;"><b><i>I am also scheduled for a Kaffeeklatch:</i></b></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="color: purple;">T</span>hat&#8217;s a discussion over coffee where readers can book a place at the table to meet writers they&#8217;d like to <strike>grill</strike> chat with about their work, etc.</span></span><br />
<span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"></span></span></p>
<div>
<span style="color: #674ea7;"><i><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Friday 13:00 &#8211; 14:00, London Suite 5 (ExCeL)</span></span></i></span></p>
<p><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Glenda Larke, James Patrick Kelly</span></span></span></p>
<p><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="color: black;">This sounds as though there are two of us sharing. I&#8217;ve never had a Kaffeeklatsch with another writer before, so this should be interesting, especially as Jim Kelly is more a SF writer. He is a Nebula and a Hugo winner, so I will be in distinguished company!</span></span></span></span></p>
<p><span style="color: #cc0000;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="color: black;">Anyway, if any of you are at Loncon 3, do feel free to hunt me down&#8230;</span> </span></span></span></div>
<p></div>
<p><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><br />
</span></span></p>
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