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	<title>
	Comments on: Cultural Appropriation and the Fiction Writer	</title>
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		<title>
		By: Glenda Larke		</title>
		<link>https://glendalarke.com/2007/11/cultural-appropriation-and-fiction/#comment-23191</link>

		<dc:creator><![CDATA[Glenda Larke]]></dc:creator>
		<pubDate>Tue, 06 Nov 2007 21:19:00 +0000</pubDate>
		<guid isPermaLink="false">#comment-23191</guid>

					<description><![CDATA[I think you have both put your finger on a key matter when you use the word &quot;respect&quot;.&lt;BR/&gt;&lt;BR/&gt;I know it is hard for us white &quot;European&quot; westerners to appreciate what minorities have faced and are still facing (even though most of my adult life I have lived as a minority white alien woman in brown/Muslim/Asian/Arabic/male-dominated societies, so I have more of an idea than most - and believe me there have been many times when I was breathing fire), but I don&#039;t think the answer is to jump up and down and shout &quot;plunder!&quot;. Rather it is to jump up and down and demand respect for our minority/culture/norms etc.]]></description>
			<content:encoded><![CDATA[<p>I think you have both put your finger on a key matter when you use the word &#8220;respect&#8221;.</p>
<p>I know it is hard for us white &#8220;European&#8221; westerners to appreciate what minorities have faced and are still facing (even though most of my adult life I have lived as a minority white alien woman in brown/Muslim/Asian/Arabic/male-dominated societies, so I have more of an idea than most &#8211; and believe me there have been many times when I was breathing fire), but I don&#8217;t think the answer is to jump up and down and shout &#8220;plunder!&#8221;. Rather it is to jump up and down and demand respect for our minority/culture/norms etc.</p>
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		<title>
		By: Satima Flavell		</title>
		<link>https://glendalarke.com/2007/11/cultural-appropriation-and-fiction/#comment-23190</link>

		<dc:creator><![CDATA[Satima Flavell]]></dc:creator>
		<pubDate>Mon, 05 Nov 2007 02:44:00 +0000</pubDate>
		<guid isPermaLink="false">#comment-23190</guid>

					<description><![CDATA[I see nothing wrong with setting a st0ry in any culture provided the writer does his or her research thoroughly and treats the material with repsect. What I really hate is fantasy that&#039;s obviously supposed to be based in some earth culture but takes enormous liberties with it, and the the writer seems to think it&#039;s OK because &quot;it&#039;s an invented world and I can do what I like with it&quot;.]]></description>
			<content:encoded><![CDATA[<p>I see nothing wrong with setting a st0ry in any culture provided the writer does his or her research thoroughly and treats the material with repsect. What I really hate is fantasy that&#8217;s obviously supposed to be based in some earth culture but takes enormous liberties with it, and the the writer seems to think it&#8217;s OK because &#8220;it&#8217;s an invented world and I can do what I like with it&#8221;.</p>
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		<title>
		By: Anonymous		</title>
		<link>https://glendalarke.com/2007/11/cultural-appropriation-and-fiction/#comment-23189</link>

		<dc:creator><![CDATA[Anonymous]]></dc:creator>
		<pubDate>Sun, 04 Nov 2007 12:23:00 +0000</pubDate>
		<guid isPermaLink="false">#comment-23189</guid>

					<description><![CDATA[Yes, well, you KNOW what I think. I wrote two novels for which the basis was the history and culture of CHina; there may yet be a third,I don&#039;t know. I wrote a fantasy where some of the people were culturally and linguistically tied in to what we might consider to be a North Africa/Arabian perspective (although it was wrapped six deep into fantasy skins and it might have been hard to get a clear glimpse - but the root was there...)&lt;BR/&gt;&lt;BR/&gt;In the YA books, the &quot;Worldweavers&quot; trilogy, I have taken the mythos, the archetypes and the world-creation stories of Native American provenance - Grandmother Spider, Coyote the Trickster, things like that.&lt;BR/&gt;&lt;BR/&gt;I am not Chinese. I am not Arab. I am not Hopi.&lt;BR/&gt;&lt;BR/&gt;I am *human*. And so are all these other peoples. We share our world; we share our stories. SO long as I am not disrespectful, or deliberately hurtful, or completely and wilfully ignorant of the things whereof I write... I think, as a human being, I am allowed to write about other human beings. My work may or may not convince - but I take pains in my research, and I freely admit that any errors that creep in are my own and I&quot;ll take responsibility for them, but if I were to be stuffed into the box of &quot;upper middle class white female&quot; I would never have written at all, or at the Least I would never have written a story that would have been of interest to anyone at all. Are the cultural &quot;misappropriation&quot;&lt;BR/&gt;crowd really suggesting that a writer may only write for those exactly like him or herself - and that attempting to colour outside this box is a punishable offense?&lt;BR/&gt;&lt;BR/&gt;I don&#039;t think so.&lt;BR/&gt;&lt;BR/&gt;I think the kwy ingredients are knowledge, respect, and a willingness to compromise if something inessential to your story is standing in the way of communication with another human being. But other than that... we are human. We are *human*. So is every story that has ever been told.]]></description>
			<content:encoded><![CDATA[<p>Yes, well, you KNOW what I think. I wrote two novels for which the basis was the history and culture of CHina; there may yet be a third,I don&#8217;t know. I wrote a fantasy where some of the people were culturally and linguistically tied in to what we might consider to be a North Africa/Arabian perspective (although it was wrapped six deep into fantasy skins and it might have been hard to get a clear glimpse &#8211; but the root was there&#8230;)</p>
<p>In the YA books, the &#8220;Worldweavers&#8221; trilogy, I have taken the mythos, the archetypes and the world-creation stories of Native American provenance &#8211; Grandmother Spider, Coyote the Trickster, things like that.</p>
<p>I am not Chinese. I am not Arab. I am not Hopi.</p>
<p>I am *human*. And so are all these other peoples. We share our world; we share our stories. SO long as I am not disrespectful, or deliberately hurtful, or completely and wilfully ignorant of the things whereof I write&#8230; I think, as a human being, I am allowed to write about other human beings. My work may or may not convince &#8211; but I take pains in my research, and I freely admit that any errors that creep in are my own and I&#8221;ll take responsibility for them, but if I were to be stuffed into the box of &#8220;upper middle class white female&#8221; I would never have written at all, or at the Least I would never have written a story that would have been of interest to anyone at all. Are the cultural &#8220;misappropriation&#8221;<br />crowd really suggesting that a writer may only write for those exactly like him or herself &#8211; and that attempting to colour outside this box is a punishable offense?</p>
<p>I don&#8217;t think so.</p>
<p>I think the kwy ingredients are knowledge, respect, and a willingness to compromise if something inessential to your story is standing in the way of communication with another human being. But other than that&#8230; we are human. We are *human*. So is every story that has ever been told.</p>
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